A total of five brothers and a sister is what I remember. Whoever he was or is, he's mixed up in this somewhere. From our imperfect knowledge we assembled what we could of the Windsor tree, going no further back than George V and Queen Mary; Michael Gambon and Claire Bloom play them in the film.
See a Problem?
Our mothers could have set us straight instantly: In the house of my childhood, as in millions of others, the monarchy was rarely discussed. The late king might get a mention as "Stutterin' Geordie", though more often it was as a harmless and ineffectual soul.
And yet somewhere in the maternal head was a plan that could link dukes to princesses and nieces to uncles, and accorded some family members Princess Alexandra was one special points for dress sense or sympathetic personalities.
The King's Speech returns us to this time. It's a fine film. David Seidler's script and Eve Stewart's sets offer a persuasive version of the age but never lay it on with a trowel. The details look right. Stanley Baldwin Anthony Andrews speaks to the king as you believe he might well have done: Colin Firth and Geoffrey Rush give performances as the king and his speech therapist that are utterly pleasurable and convincing and deserve any number of awards.
As a piece of drama, there's never a false note in the dialogue, or none big enough to puncture your suspension of disbelief. Even the film's relationship to the historical record seems fairly scrupulous, with the large exception that the part Winston Churchill Timothy Spall played in the abdication crisis has been stood on its head: Perhaps only because any film about the s and 40s in Britain needs Churchill to be there somewhere.
Of course, events have been sometimes compressed or rearranged; the crowd outside Buckingham Palace at the outbreak of war in didn't actually turn up until There again, some things I took to be inventions turn out to be true; Edward did fly his own plane to Sandringham when his father was dying in — he learned to fly in the first world war.
Lionel Logue and the king
The biggest distortion doesn't attend the royal personalities and their behaviour, which is what the film-makers meant when they stressed their determination to be historically accurate. It comes instead with the speech therapist, the Australian Lionel Logue. He has consulting rooms in Harley Street and yet his home seems to be a mean terraced house in the East End. The front door opens straight to the pavement, where ragged children play in the fog.
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But you absolutely can amplify your message by adapting it to your setting and location. Think about place, and how you can weave imagery, anecdote, and historical context into your presentation. Abraham Lincoln also incorporated context in his iconic speech.
The Real King’s Speech
In his opening paragraphs, Dr. King eloquently references the Gettysburg Address as well as the Emancipation Proclamation, the Constitution, and Declaration of Independence. These intellectual references give his words weight and credibility; they ground his speech in significant historical context. In the latter part of the speech, Dr.
Great presenters connect with their audiences by weaving in well-chosen references and touchstones that will resonate.
Lionel Logue and the king | Ian Jack | Opinion | The Guardian
Many speeches are boring, even those about important topics that affect our lives. But when you use evocative, vivid language, you create strong and memorable images. King weaves in an evocative extended metaphor, like a golden thematic thread, about cashing a check:. When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir.
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We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. Vivid imagery, evocative language, and on-point metaphors are mighty tools for making your message clear and memorable. MLK makes use of many of these, to great effect.
You might notice that Dr. King repeatedly contrasts what is against what could be. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice.
Now is the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood. King, of course, is the master, articulating in lucid detail not only the action that must be taken and the dire consequences if action is not taken. It would be fatal for the nation to overlook the urgency of the moment. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred.